Guitar Lessons - Learn Guitar In colorado

Guitar In Your Area - Guitar Lessons - Learn Guitar In colorado

Chord Tone Soloing - Outlining Chords and Progressions
In this free guitar lesson you learn how to use CAGED arpeggio patterns to target chord tones while using pentatonic lead patterns. Specifically, you will target the root, third and fifth of each chord as you work through a progression. Targeting chord tones helps you to connect scales more closely to their related chords, as well as outline a particular chord progression. You will intentionally be emphasizing each note of the chord, creating a lead line that relates to the music. This approach is sometimes better than just randomly playing scales through a set of changes. You can apply this outlining technique to improvising, as well as to composing guitar solos, riffs, melodies and bass lines.

Goodbye Beginning Acoustic Guitar
Goodbye provides you with in-depth lessons in Audio and Music. Taught by Jared Meeker and Greg Horne as part of the Beginning Acoustic Guitar series. Learn how to play guitar at your own pace. These easy-to-follow videos features examples in TAB and standard music notation, and hands-on instruction. You'll learn how to hold the instrument, play with a pick, count time, read music, and play simple chords.

Numbering Scales, Chord Progressions and Modes
In this guitar lesson podcast we take a look at the interval structure of the different modes of the major scale and how musicians would number chord progressions that are modal. This involves naming the tonic pitch in a mode and then numbering its other pitches from there with consideration given to any change in interval structure (for example, sharp and flat degrees). Musicians will usually call the tonic chord in a progression and then number the other chords by their interval relationship to the tonic. This information is needed in order to study advanced concepts like modal interchange and borrowed chords because you must identify chords that are out of key by how they relate to the tonic chord on hand and not by their position in their own parent keys. You also hear comparisons and analyze the difference between the plain major scale and other major modes and the natural minor (a.k.a. relative minor) scale and other minor modes.